| Year |
Play |
Rôle(s) |
| 1961 |
Meet Me By Moonlight |
Stage Manager |
| 1955 |
As Long As They're Happy |
Stage Staff |
| 1955 |
A Murder Has Been Arranged |
Stage Staff |
| 1955 |
The Applecart |
Nicobar, Foreign Secretary |
| 1955 |
Ring Around the Moon |
Stage Director |
| 1954 |
The Poltergeist |
Scenery construction and painting |
| 1954 |
Waters of the Moon |
Setting construction and painting; Stage Gang |
| 1954 |
Bonaventure |
Scenery and Stage Staff |
| 1953 |
Pygmalion |
Colonel Pickering; Assistant Stage Manager |
| 1953 |
The Hollow |
Stage Manager |
| 1953 |
The Importance of Being Psmith |
Stage Manager |
| 1952 |
Dear Octopus |
Charles Randolph |
| 1952 |
Treasure Hunt |
Gerald Walsh; Stage Manager |
| 1952 |
The Vigil |
Sadoc, a Private Detective |
| 1952 |
The Artist |
Stage Manager |
| 1952 |
Off the Record |
Scenery construction & painting |
| 1951 |
The Lady's Not For Burning |
The Chaplain |
| 1951 |
Lady Windermere's Fan |
Stage Manager |
| 1951 |
Mary Blake |
Directing set units; Stage Manager |
| 1951 |
Playbill |
Setting construction and painting; Stage Staff |
| 1951 |
Baa, Baa Black Sheep |
Mr Tickle |
| 1950 |
Arsenic and Old Lace |
Stage Staff |
| 1950 |
Ten Little Niggers |
Scenery construction and painting |
| 1949 |
Thark |
Jones |
| 1949 |
The First Gentleman | Stage Manager |
| 1949 |
The Winslow Boy |
Setting construction and painting |
| 1949 |
After The Deluge |
Philomises |
| 1948 |
When Knights Were Bold |
Mr Isaac Isaacson |
| 1948 |
Shall We Join the Ladies |
Dolphin |
| 1947 |
Carpet Slippers |
Producer |
| 1947 |
Vanity Fair |
Pitt Crawley |