| Year | Play | Role |
| 1979 | Alice’s Adventures in Wonderland | Stage Director |
| 1980 | London Assurance | Solomon Isaacs |
| 1980 | Pink String and Sealing Wax | Stage Managers |
| 1980 | Pink String and Sealing Wax | Sound |
| 1980 | The Boyfriend | Stage Manager |
| 1981 | Five Finger Exercise | Stage Director and Set Construction |
| 1981 | Haul for the Shore | Stage Manager |
| 1981 | Uproar in the House | David Prosser |
| 1982 | A Christmas Carol | Floor Manager |
| 1982 | Birds on the Wing | Sound |
| 1982 | Travesties | Stage Manager |
| 1982 | Travesties | Sound |
| 1982 | Travesties | Publicity |
| 1983 | The Wizard of Oz | Technical Assistance on sound |
| 1983 | Worm’s Eye View | Stage Manager |
| 1984 | Rebecca | Stage Manager |
| 1984 | Rebecca | Sound |
| 1985 | The Shop at Sly Corner | A Voice |
| 1985 | The Shop at Sly Corner | Sound |
| 1985 | Under Milk Wood | For technical assistance on sound |
| 1986 | Move Over Mrs Markham | Stage Manager |
| 1986 | Quiet Weekend | Adrian Barasford |
| 1986 | Voyage Round my Father | Sound (Technical) |
| 1987 | Great Expectations | Stage Director |
| 1987 | Look Out for the Catch | Stage Manager |
| 1987 | Look Out for the Catch | Sound Technician |
| 1987 | Not Now Darling | Harry McMichael |
| 1987 | Vivat! Vivat Regina! | Stage Manager |
| 1987 | Vivat! Vivat Regina! | Sound Technical |
| 1988 | Death Trap | Sound |
| 1988 | Waters of the Moon | Sound |
| 1997 | Arsenic and Old Lace | Mr Gibbs |